Caravaggio, Narcissus at the Source. 1623-24. 49 And David put his hand in his bag and took out a stone and slung it and struck the Philistine on his forehead. David(1624) by Gian Lorenzo Bernini, located in the Galleria Borghese in Rome, Italy;Gian Lorenzo Bernini, CC BY-SA 4.0, via Wikimedia Commons. The David sculpture by Bernini took several months to complete as Bernini applied his technical prowess in depicting Davids muscle movement, mental tension, and dynamics. Bernini was not only a master of sculpture and architecture; this multi-talented man was also a painter, actor, scriptwriter, set designer, and director for satire plays. Not since the sculptures of the Hellenistic period, such as the Winged Victory of Samothrace, had sculptures been involved in their surroundings like those of Bernini. The space between them has a certain charge belonging to the statue. The reputation of the young Gian Lorenzo Bernini skyrocketed through his partnership with one of the largest Cardinals in Italy, Scipione Borghese. The works particular topic is the scriptural David, who is about to hurl the rock that will take down Goliath, allowing David to decapitate him. On Davids face, you can sense all of his emotions and moods. 8. Davids face is distorted in rage, snarling and biting his bottom lip. The back of the David(1624) sculpture by Gian Lorenzo Bernini;Fabrizio Garrisi, CC BY-SA 4.0, via Wikimedia Commons. If you are familiar with the Bible, then you are familiar with the narrative around David and Goliath. Even before it was finished, his friend and protector Maffeo Barberini was elected pope, taking the name Urban VIII. It was Cardinal Scipione Borghese who commissioned the statue of David, confronting the giant Goliath and armed only with a sling, executed between 1623 and 1624 by twenty-five year-old Gian Lorenzo Bernini. It depicts a popular hero from the Old Testament, 4. You can read all his emotions and feelings of David on his face, so the author could fashion and perpetuate them. Get the latest information and tips about everything Art with our bi-weekly newsletter, Gian Lorenzo Bernini o anonimo seguace Madrid, Prado. the church itself felt as they were battling against Luther, Bernini at the Metropolitan Museum of Art's Timeline of Art History, https://en.wikipedia.org/wiki/David_(Bernini)#Background. Bernini may also have been familiar with the writings of Leonardo da Vinci on the subject. Cast your attention to Davids face. The gladiators move as he prepares to assault is identical to David slinging his sling. A couple of objects can be seen lying at the feet of David. And David reached into his bag, pulled out a rock, swung it, and hit the Goliath on the head. No, Bernini was an action man, driven by his great skill and his equally great ego to create a new visual ideal, a new David, full of action and incredible determination and self-belief. Of course it often didnt and there is enough bad and boring Baroque art about to fill several museums. Made more than 100 years after Michelangelo's David, Bernini makes this sculpture his own and ushers in the baroque. If you're behind a web filter, please make sure that the domains *.kastatic.org and *.kasandbox.org are unblocked. According to the Bible, the young shepherd David defeated the giant Goliath. David had a job in hand as well and it was to kill Goliath! You see that in the importance that sport had in those cultures (being in the origin of the olympic games) . Bernini strategically utilizes the distinct dramatic approach to Realism in David, technically embedding every ounce of imagined emotion possible into the sculpture. David's clothing is typical of shepherd's attire. 3 (#99152), Dr. Elena FitzPatrick Sifford on casta paintings, Beginner's guide to the Early Modern period, Classic, classical, and classicism explained, Expanding the Renaissance: a Smarthistory initiative. It is made of marble and it is 170 cm long. According to records of payment, Bernini had started on the sculpture by mid1623, and his contemporary biographer, Filippo Baldinucci, states that he finished it in seven months. According to records of payment, Bernini had started on the sculpture by mid1623, and his contemporary biographer, Filippo Baldinucci, states that he finished it in seven months.[3]. He has hair in his armpits. The young man is serious: his eyebrows frown, and his lips are bitten. That is: the right foot will be under his weight, and the left shoulder will be above the tip of the right foot. This statue dates back to around 100 B.C. The David sculpture by Bernini took several months to complete as Bernini applied his technical prowess in depicting David's muscle movement, mental tension, and dynamics. The David statue is a tribute to the character and served as an icon for many Renaissance artists. [14] Both Quintilian and Lucian wrote of the statue, but the descriptions were of a figure stretching or flexing, rather than being in the act of throwing. this is in the palazzo Borghese (where it still is today), the cardinal ordered this along with the Apollo and Daphne, a portrait bust, and the rape of Persephone. The sculpture relates to an unseen entity - in the form of Goliath, the object of David's aggression - as well as to the spectator . On the other hand, there is no time for contemplation with Bernini's. It still resides in the same location as to was commissioned for At his feet is the armor of Saul, King of Israel, which was handed to David for combat. Bernini put his creation in line with other famous works. The action displayed in the strain of Davids muscles, his facial expression, and his twisting motion, in preparation for taking down Goliath, is what makes this sculpture effective and unique to that of a standard representation of a still figure. On Davids face, you can sense all of his emotions and moods. When he tackled his David in 1623-24, Bernini knew that he was risking comparison with works in a sculptural tradition that included the great names of the artistic culture of the Italian Renaissance, from Donatello to Verrocchio and Michelangelo. Talking about other famous depictions of David, Michelangelo showed him preparing for the battle, while Verrochio and Donatello showed him victorious afterward. It has been reported that Bernini embarked on a period of study prior to sculpting David, indeed taking his research into the Bible narrative and artworks made by other artists very seriously. He was a great student of ancient . [15] The sculpture relates to an unseen entity in the form of Goliath, the object of David's aggression as well as to the spectator, caught in the middle of the conflict. Geometry and motion in Borromini's San Carlo. Direct link to gutagh's post The garland on top of the, Posted 8 years ago. Unlike the earlier sculptures, Bernini's hero has a shepherd's pouch around his neck which already contains pebbles ready to use in the deadly sling which he will use against Goliath. In conjunction with the Baroque style, Bernini created a new depiction of religious sculpture and this can be noted in David. Bernini received the commission to carve the statue of David from Cardinal Scipione Borghese. Bernini created his work not as a separate figure but as a pair composition that focuses on the enemy of David. Barberini would hold a mirror up to Berninis head so the sculptor could design the sculpture by himself. Bernini may have been aware of Leonardo da Vincis works on the same topic. Direct link to CielAllen08's post Donatello's David's helme, Posted 7 years ago. Direct link to beatriz costa's post Hi, they talk about that , Posted 6 years ago. This gave an extra depth of drama and passion, allowing the spectator to identify not just with the individual, but also with their particular time in life. David(c. 1623 1624) by Gian Lorenzo Bernini, located in the Galleria Borghese in Rome, Italy;Gian Lorenzo Bernini, CC BY-SA 4.0, via Wikimedia Commons. 36- Gian Lorenzo Bernini, David, 1623-24 -FG36.jpg. As Albrecht Drer previously had postulated, the vir bellicosusthe "bellicose man"was best represented with the rather extreme proportions of a 1:10 head-to-body ratio. Bernini's David (which was created as a life-size replica of the biblical David) illustrates his differences with Michelangelo. [11] Furthermore, the warrior has a facies leonina, or the face of a lion, characterized by a receding forehead, protruding eyebrows, and a curved nose (David was later to become the "Lion of Judah").[11]. Let us dive into the fascinating facts about Gian Lorenzo Berninis David sculpture. Which statement is true about balance? In comparison to the earlier celebrated David sculptures, Bernini paid particular attention to the biblical text and sought to follow it as closely as possible. - [Voiceover] It appeals to our emotions. The Goat Amalthea with the Infant Jupiter and a Faun, Busts of Cardinals Agostino and Pietro Valier, Busts of Paolo Giordano and Isabella Orsini, https://en.wikipedia.org/w/index.php?title=David_(Bernini)&oldid=1121712993, Bernini sculptures in the Borghese Collection, Short description is different from Wikidata, Pages using infobox artwork with the material parameter, Creative Commons Attribution-ShareAlike License 3.0, This page was last edited on 13 November 2022, at 19:18. The David statue represents the heroism displayed by the biblical character, David, when he slung a stone at the giant Goliath, which contributed to his triumph. That is: the right foot will be under his weight, and the left shoulder will be above the tip of the right foot. To log in and use all the features of Khan Academy, please enable JavaScript in your browser. There were other three famous sculptures of David by Michelangelo, Verrochio, and Donatello. Berninis David refers to the life-sized marble sculpture made by Gian Lorenzo Bernini from 1623 to 1624 and is based on the biblical story of David and Goliath. Works Cited. Nel catalogo del Prado lopera figura come autografo del Bernini, alcuni studiosi tuttavia ritengono che si tratti di una copia di bottega derivata da un autoritratto dellartista romano, Terracotta Warriors From the Mausoleum of the First Qin Emperor, Easter Island Statues The Purpose Behind the Moai Statues, Dianas Statue by Ian Rank-Broadley The Diana Memorial Statue. David can be seen with a slingshot in his hand. Bernini's David is a three-dimensional work that needs space around it and challenges the viewer to walk around it, in order to contemplate its changing nature depending on the angle from which it is seen. His flexibility was greatly admired and so was his skill for using marble in sculpture. These are just a few of the fascinating artworks in this amazing museum just north of the historical heart of Rome. you may ask. Berninis work took a somewhat different path: dynamism, mental strain, and movement. The artwork was completed in seven months. THE ARTIST. "Pauline Bonaparte as Venus Victrix" by Antonio Canova. Asymmetrical Balance Frida Kahlo, Frida and Diego Rivera, 1931 Bernini, David, 1623 17. The artist did his best to show the subjects emotions as vivid and realistic. Gian Lorenzo Berninis David sculpture takes advantage of the area around it, extending out into the audiences area. The Bernini David sculpture is a three-dimensional artwork that requires space and invites the observer to stroll around it to examine its shifting nature based on the angle from which it is viewed. It was ordered by Cardinal Scipione Borghese to adorn the Borghese Gallery. Baroque era is related to the compositions in diagonal lines, as in Bernini's David. The rest they say is history. Direct link to Anmolpreetbrar123's post who commissioned Bernini', Posted 6 years ago. [17] Baldinucci and Gian's son tells an anecdote of how Barberini would hold a mirror up to Bernini's face so the artist could model the sculpture on himself. The different principles of design namely: balance, unity, movement, pattern, emphasis, rhythm and contrast have all contributed to the actualization of Michelangelo's vision of showing to the world the immense and unique talents of the Florentines in conceptualizing and constructing iconic masterpieces. so the ankles and legs of the statue don't need to carry so much weight. David struck Goliath on the forehead, and the stone sank deep in his forehead, and he fell on the ground on his face. Why commission artwork during the renaissance? The masterwork was produced in seven months, from 1623 until 1624. The masterpiece was completed in seven months, from 1623 to 1624. David is a life-size marble sculpture by Gian Lorenzo Bernini. This attests to Berninis working techniques as well as his deep bond with the future Pope. Moreover, Bernini did his work in the early baroque style. A detailed close-up of the face of David (c. 1623 1624) by Gian Lorenzo Bernini;Sailko, CC BY 3.0, via Wikimedia Commons. Baroque art wants us to be able to relate to the image in our bodies, not just in our minds. Especially the depicted motion of a man throwing a stone was revolutionary at the time. Because of this new interests, Bernini shows David in the very . His harp, which is usually employed as an allegorical object of David in reference to David the Psalmists ability as a harpist, lies at his feet. The other object we can see is a harp, a musical instrument included because its associated with David, a man described in the Bible as a renowned harpist. In his famous publication, the Treatise on Painting (1632), Leonardo da Vinci addresses the issue of how to depict a throwing figure. He was a great student of ancient art and is recognized as being a key factor in the development of the Baroque form of sculpture. The Renaissance versions of this subject (by Donatello, Verrocchio and Michelangelo) show David in tranquillity with the head of Goliath or the sling-shot as attribute. Spain and Portugal in the 15th and 16th centuries: The Rise and Fall of the Avis Dynasty in Portugal, an introduction, Spoons from West Africa in Renaissance Lisbon, Fifteenth-century Spanish painting, an introduction, Tomb of Juan II of Castile and Isabel of Portugal, Treasure from Spain, lusterware as luxury, Royal monastery of Nuestra Seora de Guadalupe, Apostle or Saint, bringing the figure to life, Sacred geometry in a mudjar-style ceiling, Francis Bacon and the Scientific Revolution, Restoring ancient sculpture in Baroque Rome, Francesco Borromini, San Carlo alle Quattro Fontane, Rome, Caravaggio and Caravaggisti in 17th-century Europe, The altar tabernacle, Pauline Chapel, Santa Maria Maggiore, Rome, A Still Life of Global Dimensions: Antonio de Peredas. Self Portrait of Gianlorenzo Bernini (c. 1623) by Gian Lorenzo Bernini, located in the Galleria Borghese in Rome, Italy;Gian Lorenzo Bernini, Public domain, via Wikimedia Commons. But Baroque art does something different. Which of the following is an aesthetic question you could ask about Gianlorenzo Bernini's sculpture David? Nel catalogo del Prado lopera figura come autografo del Bernini, alcuni studiosi tuttavia ritengono che si tratti di una copia di bottega derivata da un autoritratto dellartista romano, Public domain, via Wikimedia Commons. The oversize cuirass leant to David by King Saul before the encounter lies on the ground with the harp David will play after his victory, which is decorated with an eagle's head, a symbolic reference to the Borghese family. Many artists would have captured David, as seen through the lens of his legacy as a hero, commemorated posthumously. Borgheses early patronage of Bernini helped to establish him as the leading Italian sculptor and architect of the seventeenth century. The new pope placed Bernini in charge of all artistic matters in Rome, culminating in his life-long work in transformingSt.Petersbasilicainto the church we so admire today. He depicted David prepared to assault, collecting all of his power and will. He left his permanent mark on the city of Rome by designing St. Peters Square and creating multiple works for the interior of St. Peters Basilica (of which he was the leading architect at the time). Michelangelo's David differs from those of Donatello and Verrocchio in that it shows David preparing for the battle, rather than victorious afterwards. Side angle of Gian Lorenzo BerninisDavid(1624) sculpture;FrDr, CC BY-SA 4.0, via Wikimedia Commons. [18] David's face, frowning and biting his lower lip, is contorted in concentrated aggression. By looking and posing, one may tell where Davids adversary is. On the other hand as Bernini's David is made during 1623-24, extra details in both face and drapery, and the movement depicted, we can know that this sculpture was made during baroque art period, as in this period they used exaggerated motion and details to produce drama, tension, and grandeur in art, and is known to be during sixteen hundreds. The Philistines send out their greatest warrior, a giant named Goliath, while the Israelites choose a shepherd named David. Bernini brings to life the biblical scene of David throwing a stone. Scipione Borgheses final commission for Bernini was David. He strains with kid-like concentration. He awaits his enemy naked and self-satisfied. and its referred to as such because it quickly decorated a room named after it at the Villa Borghese where Bernini must have seen it. The Baroque style referred to in the article in reference to the Italian Renaissance artist describes the 18th and 17th styles of sculpture and is considered a movement defined by the presence of multiple viewing angles aimed at enhancing the viewers experience. Most of the sculptures created by Gian Lorenzo Bernini for his patron Cardinal Scipione Borghese ended up being placed right in the center of a particular room. Another reason for the artists motivation was possibly that all other great artists like Michelangelo, Donatello, and Verrocchio had all already sculpted their own versions of David, so it was necessary that the upcoming legend of architecture take on the challenge. Asymmetrical Balance Hiroshige View of Mount Fuji from Harajuku, part of the Fifty-three Stations of the Tkaid series 18. The works particular topic is the scriptural David, who is about to hurl the rock that will take down Goliath, allowing David to decapitate him. From the young age of eight, Bernini was considered a child prodigy and received ongoing encouragement from his father. The main subject of the sculpture is the biblical David, about to throw the stone that will bring down Goliath, which will enable David to behead him. The intensity of his expression is found in Davids frown, bitten lips, serious demeanor, and his body completely focused on the task and aim toward the enemy, Goliath. The warrior even crosses the line between reality and art by placing his toes over the lip of the plinth. It was allegedly said that Maffeo Barberini, a close friend of Bernini, held up a mirror to assist Bernini in developing Davids classic grimace. visible in the facade of San Carlo alle Quattro Fontane, opposed ancient ideas about architecture. He is not muscular like a deity or ideal, but like a mortal, athletic man. Bernini depicts David in action holding a sling in both his hands while his body is twisted around. No submissive moment of contemplation here as you see with the David by Donatello in Florence or the deep concentration, summing up his enemy, as magnificently portrayed by Michelangelos David in the Accademia, also in Florence. From Donatello to Michelangelo and Bernini each statue was. Bernini was a notable architect as well as a leading sculptor of his day. These magnificent sculptures created in the early 16th and 15th centuries respectively were followed by an equally impressive work by Gian Lorenzo Bernini (1598-1680). The sculpture was one of many commissions to decorate the villa of Bernini's patron Cardinal Scipione Borghese where it still resides today, as part of the Galleria Borghese. Since then, his rise to fame was guaranteed and he was considered almost incomparable to any master of sculpture. Inspired by the story, Italian architect and sculptor Gian Lorenzo Bernini was moved to create what we know of today as one of the most famous sculptures in the world. With Michelangeolo's David, we maintain a polite distance. 9. [16] The warrior even literally oversteps the boundaries between life and art, putting his toes over the edge of the plinth. [7] The statues of the Renaissance masters had been strictly frontal, dictating the spectator to view it from one side, and one side only. In contrast to Michelangelo's nude David, Bernini's David is wrapped in a loincloth. Among his masterpieces, Aeneas, Anchises, and Ascanius (1619), The Rape of Proserpina (16211622), and Apollo and Daphne (16221625), all of which are on exhibit at the Galleria Borghese. Direct link to Mary Frank's post Given that the pyramid st, Posted 7 years ago. Lee, Crystal. Bernini began work on the sculpture in mid1623, according to receipts. sculpture is a three-dimensional artwork that requires space and invites the observer to stroll around it to examine its shifting nature based on the angle from which it is viewed. The story of David and Goliath - is one of the most recognizable in the Judeo-Christian tradition. Out of the many versions of The David that had been created in the past, the version that Bernini created it by far the . Direct link to Z. It is said that while working, Berninis friend and future pontiff Maffeo Barberini held a mirror in front of the sculptor, so Davids grimace reflects the grin of the author. The Renaissance masters statues were absolutely frontal, requiring the observer to view them from only one side. David is a life-size marble sculpture by Gian Lorenzo Bernini. The statue refers to an invisible force in the guise of the giant, the target of Davids aggressiveness as well as to the observer, finding himself in the heart of the struggle. The pitcher gathers all of his strength for each pitch and puts everything he has into it. This represented a novelty; throwing figures were extremely rare in post-Antiquity sculptures. What is the Bernini David statue holding and what is the David statues height? The armor was shed, as David was unaccustomed to it and he can fight better without. We all know he succeeded as did Bernini in this piece. Bernini, on the other hand, represents David in action, in the very moment of shooting. in this particular sculpture David is standing on a diagonal but his loincloth is touching a breastplate sitting firmly on the ground. A close up of the face of David (1624) by Gian Lorenzo Bernini;Sailko, CC BY 3.0, via Wikimedia Commons. Just like the Borghese Gladiator, the statue of David by Bernini decorated the Villa Borghese upon completion. The garland on top of the helmet could mean several things, Cesar wore a garland on his his in his paintings as a sign of power and rank. Carracci, Christ Appearing to Saint Peter on the Appian Way. Many sculptors of the Renaissance era dedicated their works to the heroic feat of a hero. His statue depicts the conflict in its entirety. The Viewers can preempt that David is ready to strike his enemy (Goliath) with the flying stone into his forehead. He balances the darker basket of fruit with the white of the tablecloth, even placing a few smaller apples at the lower right to complete the composition. Nicola Pisano, Pulpit, Pisa Baptistery, and Giovanni Pisano, Elisha ben Abraham Cresques and the Farhi Bible, Illustrating a Fifteenth-Century Italian Altarpiece, Linear Perspective: Brunelleschis Experiment, Benozzo Gozzoli, The Medici Palace Chapel frescoes, Perugino & Napoleons appropriation of Italian cultural treasures. It involves . The Bernini David sculpture is a three-dimensional artwork that requires space and invites the observer to stroll around it to examine its shifting nature based on the angle from which it is viewed. The anger, aggression, and fascinating concentration on the face of David are psychological elements that would end up defining the career of the artist. David (Bernini) Usage on nl.wikipedia.org Galleria Borghese; Usage on pl.wikipedia.org Giovanni Lorenzo Bernini; Dawid (rzeba Berniniego) Usage on www.wikidata.org Q766487; Usage on zh.wikipedia.org () Other famous works in the collection are Sacred and Profane Love by Titian, Venus Victrix by Antonio Canova, and The Deposition by Raphael. This means that the torso twists and strains not just physically but psychologically. On the other hand, Bernini portrayed David as throwing stones. Berninis production received a lot of attention and attracted many spectators. He eventually completed David in 7 months and completed the other sculpture in 1625. It is possible that Bernini applies this theory to his David: If you represent him beginning the motion, then the inner side of the outstretched foot will be in line with the chest, and will bring the opposite shoulder over the foot on which his weight rests. Berninis rendition of David in motion is what set his sculpture apart from Michelangelos version of David. The statue depicts a rebel who lives a hectic life filled with drama. During this initial phase of his career, he was lucky enough to have been noticed by Cardinal Scipione Borghese, the rich nephew, and secretary of Pope Paul V. This man amassed great wealth during this period in the early 17th century and not only built the Villa Borghese in the immense Borghese Garden but also collected and commissioned various works of art. The year 1606 was important since Berninis father was commissioned by the papacy to work on a marble relief at Santa Maria Maggiore. look for hidden sub pyramids in the structure. A Virtual Tour of the Galleria Borghese. Compared to earlier works on the same theme (notably the David of Michelangelo), the sculpture broke new ground in its implied movement and its psychological intensity. Take a look at our Bernini Davidsculpture webstory here! [11] Bernini is likely to have known Carracci's Polyphemus; not only was it to be found in the Galleria Farnese in Rome, but Carracci was the painter Bernini ranked as fourth among the greatest ever.[12]. We are told that he received the Cardinals request to sculpt the David while he was still working on the sculpture ofApollo and Daphne. The style of the figure refers to antiquity for the balance and composition of the nude. This also means that the statue never left its original location because its still part of this collection. In this article, well take a closer look at some of the most interesting facts about David by Bernini, a fascinating work of art completed during the early phase of his career. His impressive portfolio kept growing and his architectural designs soon became part of city planning for the construction of religious buildings, public squares, and various monuments and temporary structures. The biblical David was a significant subject for Renaissance artists. Bernini was also a talented sculptor who was much acclaimed. Cardinal Scipione Borghese commissioned it to decorate the Borghese Gallery. Before creating the statue, Bernini studied the Bible passages regarding David and Goliath and sculptures of David from other artists. Various renowned sculptors over the centuries have depicted one of the most popular Biblical heroes, David. "Truth Unveiled by Time" by Bernini. What is the statue of David holding? Tradues em contexto de "the sculpture of the Pieta" en ingls-portugus da Reverso Context : Enter the impressive St. Peter's Basilica to admire the sculpture of the Pieta by Michelangelo. The sculpture was one of many commissions to decorate the villa of Bernini's patron Cardinal Scipione Borghese - where it still resides today, as part of the Galleria Borghese. symbolizing the balance of weight On this Wikipedia the language links are at the top of the page across from the article title. He also created numerous sculptural fountains that still decorate the amazing squares of Rome today. Bernini's David is like a major league pitcher winding up to throw a 95 miles an hour fastball. 7. The hero is depicted when, having taken the stone from his pouch, he twists his body in the opposite direction, tensioning it spring-like, then stops to think for a spilt second before releasing the stone that will slay Goliath. It was a revolutionary sculpture because of the way he is depicted 5. Bernini generated his work as a pair composition that puts the focus on Davids adversary, rather than as a separate figure. Another possible source of influence for Berninis David sculpture is Myrons famed 5th-century BC Discobolus. But before we go on to discuss the significance and design of Berninis David, we will first look at the famous Italian artist himself, in the context of his sculptural practice. "Amor and Psyche" by . Forming part of Galleria Borgheses existing collection, David (1623 1624) is a life-sized sculpture of the biblical character, David, who was tasked with bringing down the giant, Goliath, using a stone. In addition to attempts at realism, David also followed contemporary conventions about how a military figure should be portrayed. The statue was one of the numerous contracts for Berninis patron Cardinal Scipione Borgheses residence, where it still currently stands. The picture of David embodied strength and dignity, as well as heroism in all its radiance. Gian Lorenzo Bernini, Cathedra Petri (Chair of St. Peter) Bernini, Saint Peter's Square. [3][19] This bears witness to Bernini's working methods, as well as to the close relationship he enjoyed with the future pope. Gian Lorenzo Berninis David statue is a life-size marble monument. Bernini on the other hand decided to bring David to life to bring the defining moment in the characters heroic act, to life. 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